Showing posts with label front page. Show all posts
Showing posts with label front page. Show all posts

Wednesday, 6 May 2009

Katie Cowell Reviews: FOLA




Born Sadiq Aolabi Makanjuola to Nigerian Parents in South West London,
FOLA
- as he prefers to call himself- has dreamt of being a singer for as
long as he can remember.

He is self taught, and styled himself on the all time greats: Michael Jackson
and Whitney Houston. His influences are large and varied; from his Nigerian
heritage to Country and Western. He does not like to limit himself to
conventional genres, preferring to have an array of styles in his music.

Fola has only just turned 19, but possesses a poise and maturity of someone
much older. Given his ascent into adulthood, he likes to write songs which
document the experiences of someone his age, their problems, and the
complications of life. 'Break though' is a great track; with its gentle melody
and smooth vocals - and is about a person breaking through the problems
that life may throw at them.

Despite making it to the X-factor boot camp, FOLA realised that he wanted
to forge his own way in the industry - with his values intact. He was always
taught to be determined- and to maintain his morality. He differs from the
'typical' 19 year old boy in that he is sensibile, and would prefer to have his
wits about him in order to battle it out and have his voice heard.

www.myspace.com/foladastar


Review: Katie Cowell

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Wednesday, 18 March 2009

Artist Review: Anthony 'Grhymey' Grimes



Who's that?
is the song that will propel Anthony 'Grhymey' Grimes into the public eye. It is catchy, clever and the kind of tune that will play on a loop in your mind.

Grhymey is not interested in rapping about gun culture, crime or anything else that would give him 'street cred'. He has no time for posturing and making himself out to be a tough talker. Instead, his main ambition is to make music which everyone can enjoy.


He works by day as a careers adviser and in his spare time crafts the lyrics and music he loves to record and perform. His lyrics are quick and witty, and he loves the lyrical expression hip-hop allows.

Not one to take himself too seriously, he takes his music incredibly seriously. He is a charismatic performer and he brings an energy to the crowd when on stage. He loves audience participation and enjoys nothing more than to get everyone involved in his music and the stories he has to tell.

http://www.grhymey.com




Review: Frontpage

Friday, 13 March 2009

Fat Talent LIVE review: A night at the circus

Despite only being together for 45 days, CalatrilloZ play as if they have been together much longer. Their multicultural, multi-instrumental and multi-genre style will take anyone, who is lucky enough to hear them, by storm!
Their members hail from all over the globe: from Brazil, Nepal, Germany and Italy. There is also the lone Englishman.
Given how competitive the London scene is, CalatrilloZ wanted to create an original sound, and have an original style; something they certainly have achieved.
They describe their own style as 'dark, gothic ska'- but their sound is much fuller and diverse than that. Their songs are brilliantly composed, catchy and their stage performances are something else. It is akin to a meeting of Led Zeppelin, Queen, a night at the theatre, followed by a trip to the circus.
Their performances on stage are as theatrical as their music –replete with makeup , masks, gothic attire and two back-up singers who perform in fishnets and corsets.

Through their performances, they love nothing more than to create a world which is bizarre and exhilarating, a world in which their fans can escape into, become a part of , and focus entirely on the music and theatrics of the CalatrilloZ.

www.myspace.com/calatrilloZ


Review: Frontpage

Saturday, 7 March 2009

it's just not a very good film......


Despite an all-star cast, and the always likable Drew Barrymore, 'He's just not that into you' is a mediocre film, with an annoying stereotype at its core.
It is a watchable film, insofar, that we have sleek, glamorous women who are not too edgy, but kooky enough to be endearing with just a twinge of neuroticism. They are always there for their friends to offer their gap cardiganned shoulder, commiserating over their skinny cappuccinos with a never ending repository of 'sweetie' and 'honeys'.
but the entire premise of this film is based round men's reluctance to commit, women's obsession with commitment, their reading of men's signals and their subsequent interpretation.
According to this film, and unfortunately a large majority of our society, women spend countless hours upon hours, days upon days, weeks upon weeks analysing the inner workings of the male psyche.
Apparently they stare at the phone, check their mobiles, check their answering machine, check their facebook and perhaps stalk their potential fella.

The film is just an indication of what seems to be the general consensus about relationships; that is, that women have difficulty functioning when men do not ring them after an hour.

This irritates me more than anything, as it's depicting otherwise intelligent , independent and strong women as being a simpering mess if they're (shock horror) single.

Usually we have some geeky boy - who barely passes for a man- administering advice on 'what a man really means' , and why he, himself prefers to be a 'playa'. He thinks that women who are too intense and 'too much, man'. They then deliver some awful line like 'bros before hos'.. or a variant of that expression as if to emphasise their total independence from women.
It always baffles me that these men are even given screen time, let alone be made into a character. Who takes advice from a man whose chin recedes more than his hairline?!

Why do we never see films in which a group of men stare glumly into their pint glasses asking each other: what did she REALLY mean with that text. and WHY hasn't she called ?
Why do we not ever see men crying on each other's shoulders because SHE has not rung for a week.

Where are the independent and evolved women in these Romcoms? Most women I know do not have the time, or the inclination to waste on a man who has not rung in over 3 days. Moreover, in my experience, It has been the men who have become neurotic and analytical. I don't know where these 'men's men' and emotionally aloof male characters have come from in these weak story lined films.

These films just perpetuate the idea that all women want is a relationship - and that all men want to do is 'play around'.
Both are not true, and I will say this much: I definitely will not be consoled by ben and jerry's ice cream and platitudes of 'sweetie' if someone has not rung me back. I'll just go out, go wild and meet someone who will.

Wednesday, 25 February 2009

Tobacco Brown


Image: Self-Portrait by Mr Brown

It was upon hearing a Another Lonely Day by Ben Harper that Kevin Schell – aka Tobacco Brown – was inspired to pick up a guitar and play.

Schell doesn’t adhere to the chain smoking, hotel trashing persona of a rock star. He's down to earth, and only interested in making music that means something to him.His songs are whimsical and poignant in parts – they’re stories and experiences set to soft, catchy guitar tunes.


He happily admits that his songs aren’t cloistered in hidden meaning, overly symbolic and full of cryptic lyrics. He believes firmly in writing from the heart, and in writing honestly and openly. It is this earnestness that makes him so likeable and genuine.


In person, he’s unpretentious and passionate – qualities which are seemingly rare in the skinny jeans, shaggy hair guitar scene.

Leaving his native Canada at 15, he moved to London where he spent his teenage years. it was a lonely time for him – and he cites music as being his savour. He was able to lose himself in chords and lyrics and found it the perfect outlet for his pain.


Certainly there is a sense of loneliness fused in the music , but not all songs are that melancholic. His songs are witty and clever- the kinds of tunes that stay in your head on a gentle loop.

Catch a live performance from Tobaccon Brown @ Fat Talent LIVE - Sun 8th March

Kevin Schell is also featured on the following website:

http://www.balladof.co.uk/

http://www.myspace.com/tobaccobrown

Tuesday, 17 February 2009

Love is a Battlefield


It a was Tuesday in the office - a lackluster day at the best of times - save for the private disco pumping through my head phones. I was revelling in the joy of 80's music!

I'm a huge fan of 80's music. I'm a child of the 80's, and as if by osmosis resulting from long car journeys, i can't go a day without indulging myself.

There is something awe-inspiring about power ballads; their synths, big drum beats and the inevitable key change are the ingredients for the perfect tune.

Take for instance A-HA's 'Take on Me'; a song so catchy it is still played in clubs today. How can a man who unashamedly sings in falsetto not be admired?!

Bonnie Tyler's 'Total Eclipse of the Heart' still stands the test of time. Here we have a woman whose voice is breaking as much as her heart is. There's an overwhelming sense of passion, we can't help but be carried away. The film clip is pure genius; the boys with the blue lights in their eyes - and at the end - was it all a dream? The song truly takes us on a journey; from the opening piano - to the crescendo- then back to the piano - we're as exhausted as she is.

These songs from the era of shoulder pads, greed is good and big eye shadow never scrimped on the video clips. The clips were as important as the songs. Madonna took her video clips so seriously, she saw it as art. Many of her early clips were in fact. how could we forget Vogue?

What has inspired me to write tonight, however, is 'Love is a Battlefield' by the brilliant Pat Benatar. I listen to this song occasionally, and I always love the intro - the chorus- the big drum beat- but it is the video clips which truly makes this a classic song.

Here we have a story:

She leaves home, never to be seen again and hits the hard streets of (presumably) New York lives it tough, but still writes home to her little brother.

Replete with gelled up hair, big beads, neckties and colored clashing clothes.
It is about 3 minutes into this clip, that we really see its greatness.

She's in a club, swarming with sleazy men. Her attention is caught by a woman yelling at a man to 'leave me alone'.

Pat won't be having a bar of this and she steps up, steps in and stops this white vested man in his tracks!

Not only that, she recruits all the other rough city girls and all together they take part in one of the best dance formation to grace music video clips. There are side steps, strong arm movements, samba like rhythm steps and lots of aggressive shimmering.

Their moves are powerful and strong - the offending man doesn't know what has hit him!

Not only that, she punctuates it with a glass of water in the face!

Take that you scoundrel!

Pat then leads her crusading dancers to the street and onto female liberation!

It's the ultimate in pop music feminism.

Compare this to clips now - where we have these insipid undernourished women wiggling their hips 'provocatively' and you realize just how important and inspiring Pat and her legions of dancers were, and are.

Confronted with the 'stars' of today's music pop music scene, These stars from the 80's would scoff in their shoulder padded strength!

Words: Front Page